Summer Escape in Santa Fe

Come join me July 30th through August 4th in Santa Fe, New Mexico, for a 5-day workshop called The New World of Travel Photography.

Santa Fe holds a special place in my heart because in 2004 I spent a year working as a course assistant at the Santa Fe Photographic Workshops. Week after week, I experienced the wonderful intensity of the workshop environment and saw how it produced rapid improvement in people’s photography…. and occasionally changed lives. I credit my time in Santa Fe with putting me on the path to my now 11-year career with National Geographic as a photo editor and photographer. I’m excited to come full circle and return to the workshops next month as an instructor.

In my workshop, I’ll share insights into how I prepare and execute a travel assignment for National Geographic Travel. Most importantly, I’ll be spending time with each participant throughout the creative process, from shooting to editing, which will culminate in a unique travel story. Days will be a balance of time shooting in the field and classroom time filled with critiques, discussions, and lectures.

To find out more or sign up, click here.

I hope to see you this summer in Santa Fe!

In Bookstores: The World’s Most Romantic Destinations

Last April I holed up in a house in Seattle and took a trip around the world.

Well, not literally, but through pictures. While photo editing my first book project for National Geographic, I re-visited favorite destinations like Cape Town and the Burgundy region of France, but then also fell for places that hadn’t quite caught my eye before like the Azores Islands of Portugal, Mozambique’s Quirimbas Archipelago, and San Sebastián in Spain.

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I enjoyed switching gears from photo editing for magazines and delving into the book publishing world. I’m looking forward to working on the sister book to this title later this year. Special thanks for making the photo editing process easy and enjoyable goes to National Geographic’s Moira Haney, Elisa Gibson, and Allyson Dickman.

I’m proud to say that the results are now in hard copy and, if I do say so myself, they look gorgeous. Pick up National Geographic’s The World’s Most Romantic Destinations in bookstores or online and start adding to your travel bucket list. I can promise you these tempting places aren’t only for lovers.

A small ship passes through a narrow passage in Alaska.

On Assignment with National Geographic Expeditions: Photography in Alaska & British Columbia

This past May I had the opportunity to travel as a National Geographic Expert on a voyage from Seattle, Washington, along the Inside Passage of British Columbia and Alaska. The National Geographic/Lindblad Expeditions A Remarkable Journey to Alaska, British Columbia & Haida Gwaii photography voyage was one of my favorites because as a Pacific Northwest native I felt right at home experiencing the lush forests and moody weather.

On September 3rd-17th of 2017, I’ll be joining as a National Geographic Expert on another Remarkable Journey to Alaska, British Columbia, and Haida Gwaii on board the National Geographic Sea Lion. Come join me on this intimate ship as we get up close and personal with the beauty of landscapes, wildlife, and culture of British Columbia and Alaska. I’ll be working with a talented photo team to provide insightful lectures and give tips and advice while on photo walks and photographing from the ship.

Here are a few images from last May’s expedition as a teaser of what the experience is like. To see more images from that voyage, visit my archive.

Two photographers on the bow of a ship.

On these expeditions, you’ll often find the photo team, like Photo Instructor Ryder Redfield (right), out on deck giving photo tips, especially during the beautiful sunset we had while navigating Frederick Sound.

A glacier calves in front of a zodiac filled with people.

The morning we spent on zodiacs photographing the awe-inspiring Dawes Glacier calve was something I’ll never forget. It was an experience for all the senses, from the crackling sound like lightening in the ice to the giant aftershock waves that rocked the ship anchored over a mile away.

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I never tired of photographing bald eagles, like this one perched on a tree branch in the Inian Islands, which were ubiquitous in the rugged Alaskan landscape.

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In Petersburg, also known as Little Norway, we had a photo walk through the picturesque fishing village, capturing scenes of everyday life.

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On the last full day of the voyage, we spent over an hour photographing orcas as they swam around the ship in nearly still waters on the Peril Straight.

I’d love to see you join the voyage with me in September of 2017. I can promise beautiful vistas, amazing wildlife, and loads of photographic learning…….but I can’t promise the same beautiful weather I had last May!

Photo Tip: Layer Your Landscapes

Photography is a tricky medium. With it, we are translating the 3D world into a 2D outcome. So how to you take a landscape, which has depth, and make a viewer see and feel dimension while looking at a flat screen or a flat photographic print?

First, we must realize that not every scene that we come across in real life is going to make a stunning photograph. How often on your travels do you pull over at a viewpoint and your jaw drops because the scene in front of you is gorgeous, but when you take the photo it just looks flat?

As photographers, we are responsible for “building in” depth to our pictures by adding layers into our landscapes. Sometimes light creates natural depth in a scene for us. As in the above shot from Cape Town, angled sunlight creates long shadows that tell our eyes there is dimension in the scene. Other times, we have to work harder to find a position to shoot from that incorporates interesting foregrounds, middle grounds, and backgrounds that force layers in the photograph.

In this post, I’ll show you a few photos from a recent backpacking trip into the Eagle Cap Wilderness in Eastern Oregon that will hopefully shed a little light (pun intended) onto how I think when composing a landscape shot.

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I’ll begin with the above straightforward “postcard”shot of Aneroid Lake that was taken in mid-afternoon. The angle of the sun allows a bit of play between light and shadow on the mountains (and is much more forgiving that if I’d taken this shot at noon), but there isn’t any depth to this photo aside from a bit of foreground leading my eye into the frame on the left.

Aneroid Lake in the Wallowa Mountains of Oregon.

I decided to wait a bit longer for the sun to set further and create more dramatic light. You can see that the light is almost dancing around the mountain peak and has made the row of trees along the lake’s edge seem spotlit. I also decided to work harder by wading into the chilly water and finding a fallen tree to use as foreground. The silhouetted trees in the mid-ground also help to add dimension.

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Still not totally satisfied, I got up early the next morning to see if I could make an even better picture. In this setup, I found some trees to use as dramatically silhouetted foreground and I was careful to include the curving bank to frame the edge of the photo and lead my eye back into the scene. The morning sun cast beautiful light onto the mountainside and gave dimension to the forest and rocks.

How do you add dimension and layers into your landscape shots? Feel free to leave your comments below.

Fall is for Photography

I’ve noticed recently that the days seemed to have already grown shorter and the mornings are crisper. That can only mean fall is right around the corner. Luckily, the changing of seasons brings about the opportunity to join photographer Jennifer Davidson and myself on two photo workshops in Texas and Virginia.

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On October 13th through the 16th, join us in Texas’ quirky state capital for round two of Picture Austin. We had so much fun last year that we are doing it again!

During this workshop, we will pack the days to the brim with photographic learning. Time spent shooting in the field will be balanced with classroom sessions where we give students immediate feedback on their images and prepare them for more photographic exploration.

Come ready to rub elbows with politicos near the capitol building, tap your feet to live music along South Congress Avenue,  and rise early as the sun soaks the skyline, all while making captivating images that tell the story of this unique American city.

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This October 20th through 23rd, you can join us in Virginia for Picture Williamsburg. During this four-day workshop, we will base in Colonial Williamsburg where you will learn how to make compelling images of this unique living history experience. Honing our people photography skills, we will make portraits of reenactors and learn how to translate those skills into everyday portrait situations in downtown Williamsburg.

We will also venture to Historic Jamestowne and the Yorktown Battlefield to round out our exploration of Virginia’s Historic Triangle and practice more photographic skills such as landscape photography. Come prepared to improve your photography where the past meets present.

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The students of Picture Austin 2015 with Jennifer and Krista.

Enrollment is limited to allow students maximum time with both instructors. We’d love to see you this fall!

Please visit the Picture Austin and Picture Williamsburg websites for more information. Or email me directly if you have any questions: krista(at)kristarossow.com.

Krista Rossow Speaking at OPTIC 2016 in NYC

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I’m pleased to announce that I’ll be speaking in New York City as part of OPTIC 2016, a photography event from June 5th-8th put on by the legendary B&H Photo Video and National Geographic/Lindblad Expeditions. This “Outdoor Photo/Video Travel Imaging Conference” can be attended for free in person or via livestreaming. Simply visit the website to register for either option.

On Sunday, June 5th, I’ll be speaking for Fujifilm discussing my recent experience using the X Series mirrorless system while traveling in Asia this past winter. For those curious about making the switch from DSLRs to mirrorless, I’ll be discussing my experience while sharing the resulting photographs and teaching why bigger isn’t necessarily better when it comes to cameras. If you can’t make it in person, read a recap on B&H’s Explora blog here or watch the archived footage here.

Also on Sunday, I’ll be on the main stage speaking about how to “Think Like an Editor.” I will discuss how I believe that for travel photography, photo editing begins even before taking a picture. Today’s photographers are their own photo editors, and not in the sense of using Instagram filters or Photoshop, but in the sense of selecting the best imagery to share with an audience, whether that is in a family album or professional portfolio. I will give tips on how to “improve your photographic odds” by preparing to take travel photographs through research and planning. I will discuss considerations for capturing the best images while in the field and give insight on the process of curating the best images once the images have been made. From my experience as a both a photographer on assignment and as a photo editor needing to convey an effective story, I will give practical insight into improving your photography and telling your own story. Register here to livestream this talk.

Sign up to also hear talks by my National Geographic colleagues Erika Larsen, Jay Dickman, Flip Nicklen, and Ralph Lee Hopkins and many other industry professionals. If you are in New York City, make sure to visit the trade show and to register for portfolio reviews, a photo walk in Central Park, a photo cruise, and a dinner party sponsored by Nikon. All the information is on the website: www.optic2016.com.

I hope to see you in New York or virtually on the small-screen somewhere in the world!

UPDATE: The talks I gave in New York are now archived with B&H. To see my editing talk, click here, and to see the talk about shooting with mirrorless, click here.

Seattle Washington skyline at twilight with Space Needle.

Photographing the Blue Hour

My favorite time of day to photograph cities is the blue hour. Now, the blue hour really isn’t an hour at all, but a much shorter span of time that occurs before sunrise or after sunset.

In the morning, it is the transition time where the sun is inching closer to the horizon and the sky turns from inky black to an electric blue; with the opposite occurring in the evening. Depending on cloud cover, this lighting scenario happens approximately twenty to thirty minutes before sunrise or after sunset.

During this window of time, the ambient light balances with the artificial lights of buildings and monuments in urban scenes and you can easily capture the entire dynamic range of the scene. No need to take multiple exposures and stitch together an HDR (high-dynamic range) shot!

Dinner party scene in the Woodstock neighborhood of Cape Town with Table Mountain in background.

When I was invited to a dinner at Side Street Studios, I arrived early to scout out an angle that would include Cape Town’s iconic Table Mountain. Shortly after sunset, the timing was right and I captured both the activity of guests mingling and the mountain silhouetted against a dark blue sky.

Tech Talk

To capture the electric blue sky, it is optimal to use a tripod which will allow you to shoot with a lower ISO such as 400 or 800 and a wider depth of field like f/11 while keeping steady at slow shutter speeds. Because slow shutter speeds can easily be achieved at this time of day, I also love to play with motion blur from vehicles and other moving objects to add interest to my compositions.

But if you are tripod averse, as I often am, the solution is simple: turn up your ISO, shoot at your shallowest aperture, and do your best to reduce camera shake by bracing yourself or your camera against something solid. You won’t get to play with motion blur, but you’ll capture this vibrant time of day nonetheless.

The Arc de Triomphe at dusk in the Place Charles de Gaulle in Paris, France.

The Arc de Triomphe already looks gorgeous with a stunning blue sky behind it, but by using a tripod and a slow shutter speed, the vehicle lights add another dynamic visual element and also fill the empty space of pavement surrounding the monument.

Be Prepared

I have to admit that I prefer photographing the blue hour after sunset rather than before sunrise. This is simply because I can easily scout out the scene I want to capture in the daylight instead of having to scout the day prior or finding myself fumbling around in the dark with a flashlight and hoping I’ve found a good position.

Once in position, take test shots and get ready for the light to change quickly. I like to take test shots and check my histogram as I go to not only adjust exposure but to also see when the scene is getting more similar in tone. I find that the optimal time for the best photograph is actually when the scene is looking a bit too dark to my eyes.

Examples of changing light at Shwedagon Pagoda in Myanmar at dawn.

The light changes very quickly at dawn, as you can see from these shots which were taken at 6:31am, 6:39am, and 6:45am at the Shwedagon Pagoda in Yangon, Myanmar.